- Single dial auto-tracking compressor-limiter
- Old school diode bridge clipping limiter
- Brick wall setting for set & forget recording
- 100% discrete with Hammond broadcast transformers
The Radial KOMIT's design begins with an auto-detecting feed-forward VCA that reads the incoming program material and reacts 'real-time' to the time constant.
Set the 3-position attack-decay switch to slow for vocals, medium for instruments and fast for percussion. As you increase the ratio, the Komit FlexKnee™ compression dynamically adjusts the pivot point, seamlessly transitioning from soft to hard knee for more natural results. Yet unlike most limiters that are designed to be transparent, the Komit Clipper™ is designed to introduce personality to your recordings. The Clipper simulates the sound created by old-school diode bridge circuits from the early days of radio. These clip the input signal when they exceed the headroom. Same deal… only here, you are in complete control. Ten settings are graduated from mild harmonic overload to extreme nasty. Think of Nine Inch Nails.
To ensure absolute signal integrity, full size discrete electronics are employed throughout while the vintage style Hammond broadcast transformers add extra warmth to the signal path. A variable level control provides gain make-up or can be used to drive the Clipper for added distortion.
Dual ballistic VU metering makes it easy to simultaneously view compression and output when making adjustments. Designed for use with all 500 series racks, the Komit can be linked for full stereo operation. When used with the Radial Workhorse, the Omniport is assigned as a key input for frequency dependent compression, de-essing, ducking or any number of dynamic manipulation effects.
The Komit transcends the complex world of dynamic manipulation with the simplicity of single dial control. Stand by for take off...
The Komit is the ideal compressor to compliment a 'gold' channel strip. Feed the mic into a PowerPre, an EQ and the the Komit can keep dynamics under control for more professional results.
The Komit can be set to stereo mode by linking two Komits together. This is great for mastering. And even though the two units will share the same time constant, independent compression retains the full stereo image.
Use the key input (via the Omniport on the Workhorse) to automatically duck a guitar track (lower the level) when the vocalist begins to sing. Simply connect the TRS output from the PowerPre into the Omniport key input.